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Beautiful to Look At Marco DaSilva

Beautiful to Look At But Painful to Touch: Marco DaSilva in conversation with Liz Collins

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Event:
Beautiful to Look At But Painful to Touch: Marco DaSilva in conversation with Liz Collins
Start:
April 29, 2018 3:00 PM
End:
April 29, 2018 4:30 PM
Cost:
$10 suggested donation to benefit the Bureau. No one turned away for lack of funds.
Organizer:
Bureau of General Services—Queer Division
Phone:
(646) 358-1730
contact@bgsqd.com
Updated:
April 9, 2018
Venue:
Bureau of General Services—Queer Division @ The Center
Phone:
(646) 358-1730
Address:
Google Map
208 West 13th Street, Room 210, New York, NY, 10011, United States
Beautiful to Look At Marco DaSilva

 
Join Marco DaSilva for an intimate conversation about his artistic process with artist Liz Collins, his mentor in QUEER|ART|MENTORSHIP’s 2017-2018 fellowship. DaSilva’s paintings, collages, and sculptures are currently on view in No Reason To Be Careful through June 10th at the Bureau of General Services – Queer Division. This program is free and open to the public.
 
 

Marco DaSilva pic
Marco DaSilva is a native New Yorker whose symbol-based paintings explore hybridity through the intersections of his Brazilian-American, queer identity and manic experience. He has exhibited work at IMAGE Gallery, Heath Gallery, and the Samuel Dorsky Museum of Art. He is also a NYFA Artist as Entrepreneur Fellow. He creates work at his studio in Bedford-Stuyvesant. Marco has a BFA in Painting and Drawing from SUNY New Paltz.
 
 
Liz Collins is an artist known for her diverse work in textiles, and has over two decades moved fluidly between fields and formats including fashion, craft, performance, and design. Collins’ multi-media installations and textile works have been featured in museums and galleries internationally, including a long-term installation at the Tang Museum at Skidmore College in Saratoga Springs, as well as group exhibitions at ICA/Boston, the FIT Museum, Leslie-Lohman Museum of Gay and Lesbian Art, MoMA, and the New Museum, among many others.
 
 
 
 
 

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